sherberts_house

PADS FINAL THOUGHT

My final thought. Although parts of it didn’t go the way it was envisioned. However, I really enjoy working on this project despite a few set backs and time. Surprisingly, we still have a lot of footage leftover and we intend to create a better edit. Rather than the 3X90 second montage. We indeed to compose a longer feature in our own time. And I also intend to write a comic book based on the production. We also incorporated a warning for the weak of heart. But thanks to all those who gave us their support.  

Pads

Draft #1

This was the Original script Trevor and Myself wrote before pre-production. I iked it at first but then people considered it to be overkill on the joke so we didnt use it and we modified it down to the more suspense style

By Sherwin Browne and Trevor Mizzi

INT. BEAVER’S OFFICE LAB 02:00am
GINGER BEAVER has her back turned to the camera, sitting at a desk, and working on a set of equations. Camera moves forward to the desk, and pans from left to right over papers of FORMULAS and EQUATIONS all with ‘CHEMICAL X’ written in the top left corner. Beaver’s hand comes into view, writing down more equations.
Camera CUTS to a tight zoom on her face. Eyes are tired yet determined. Her brow frowning in deep concentration. A radio is playing in the background, softly. She writes down new numbers and formulas besides an ‘equals’ sign as she takes a drink from her coffee mug…then realises its empty.
Camera makes an establishing shot, showing TEST TUBES, BEAKERS, and ASSORTED SCIENTIFIC EQUIPMENT and LIQUIDS on a desk behind her. A wall is decorated in awards. Obviously this woman is very smart and decorated.
LOW-ANGLE SHOT of Beaver suddenly throwing her pen hard down at the desk with a loud BANG and pushing the papers aside. She leans forward, head in her hands, and slowly shakes her head
BEAVER
(barely audable)
This is hopeless. I can’t do this shit.

Camera does a long shot of Beaver as she rises slowly and heads to the desk where the chemicals are. One of the beakers is labelled as ‘CHEMICAL X sample 005J4’. She grabs the beaker, and pulls out a bin from beside the desk. Inside, the bin contains used pads. Resigning to the fact this chemical failed, she throws it into the bin, and walks away back to her desk.
CAMERA CUTS to the bin, with Beaver visible slightly in the distance. GURGLING sounds are heard, and the bin begins shaking slowly. Camera CUTS back to Beaver, totally absorbed in her research notes as she begins re-reading over them. CAMERA CUTS back to the bin, and does a tight zoom on the edge of the bin. A flap of a pad begins ‘pulling’ itself out. We hear a little GROWL. CUTS BACK to Beaver. We hear another growl. Beaver looks up from her work and towards a window, thinking it came from outside. She gets up and has a look, checking underneath the window and to the sides. CUTS BACK to the bin. We see a MUTATED PAD on the floor now, flapping its wings and with a FANGED MOUTH. Slowly it raises, growls louder, and begins FLYING towards Beaver. Beaver turns around, and sees the MUTATED PAD.

BEAVER
What the hell?!
AAAAAAAAAAAAAAAAAAARGH!
INT. DONUT SHOP 10:20AM
VINCE OLDSMAN and QUINN FORRESTER, two casual-dressed police officers, are on their morning break. Both are walking to a table. FORRESTER is telling a story, and OLDSMAN is only half listening.
FORRESTER
So anyway, theses two chicks were really having off at the
candyshop stripclub last night man. It was awesome and
I think I emptied my wallet.

OLDSMAN
You think you emptied your wallet?

They reach a table, and OLDSMAN puts the radio in the middle of the table as they take a seat.
FORRESTER
Well?! I kinda had one too many drinks.

   
The radio beeps
OFFICER #1 (via radio)
Attention all units. Dispatch has confirmed that there’s strange activity
outside the library. Investigate at once!!

Oldsman and Forrester get up, and draw out their pistols. Redback Libary isn’t that far away.
OLDSMAN (via radio)
Ok dispatch. were heading out.

CUTS
Oldsman and Forrester arrive at the scene. Forrester is humming as he checks one of his pistols as they walk up to the main entrance. Oldsman is quiet and takes in the surroundings. Suddenly he stops and raises his hand abruptly, signalling stop and silence to Forrester. We hear distant cries of panic and running. Forrester pulls out his other pistol, and aims both towards the main entrance, while Oldsman pulls out both of his, and aims towards a higher balcony.
A MAN comes running through the main doors, blood dripping from side of face. Forrester and Oldsman instinctively aim their weapons at him, but then instantly lower. The man runs towards them, out of breath and fearful. High-Angle cut of the man as he talks to the officers
MAN #1
Its horrible!! everyone is dying and just out of the blue,
we were attacked by killer pads.

FORRESTER
KILLER PADS!?
OLDSMAN
(shows Man #1 badge)
Don’t worry. Were cops and well do all we can to handle
the situation.
‘’

The man is about to explain when the camera swivels to another end of the building, and we see a crowd of people running towards them, screaming. Faint growls can start to be heard and getting gradually louder. Some are not injured. Others look as if their faces and arms have been attacked by feral beasts. A few of the people were limping, while others were being carried by friends. The man joins the crowd and runs away.
The growls become very loud. From around the corner, dozens of the mutated winged pads arrive flying in, and they start feasting on the people closest to them. Once a group of them lands or hovers around a body, the swarm fly off to the next person. Two girls go down, and are pulled from each other by the ferociousness of the pads. A man is chased down the side of the building, trips, falls, and is eaten.
Forrester and Oldsman instantly begin firing. Oldsman’s shots are precise and sharp, shooting only what’s infront of him, and focuses on the pads about to attack the people fleeing. Forrester’s shots are wild and unpredictable, pointing his guns in separate directions. A few times he is close to hitting the people running.

FORRESTER
(while firing and to the crowd of people – and an old lady - who stopped running)
WHAT ARE YOU DOING? GET THE FUCK OUTTA HERE!!

OLDSMAN
20 years on the the force and I’ve
never seen shit like this!!

Most of the crowd gets behind them and keeps running away. A few, too weak to move on, get behind a bush. Soon Oldsman and Forrester run out of ammo, and they both jump behind a bush. A pad comes flying past. It can’t see them
FORRESTER
Well I’ve seen this shit on the discovery channel

OLDSMAN
FORRESTER!! SHUT THE FUCK UP!!

Ginger Beaver appears from behind them, and falls down with them. She’s alive. Hurt, in a ripped state, but alive. Forrester immediately looks up and down her. Oldsman just looks her in the eyes.
OLDSMAN
Are you alright ma’am?

BEAVER
Yeah, but I’m upset, I’m Dr Ginger Beaver and I am
the one responsible for this hell!!

OLDSMAN and FORRESTER
What do the mean? tell us?

BEAVER
I was working late one night trying to find a cure for womens menstration.
when I threw some of my research marterial in a bin full of used pads. They
then attacked me. I barley escaped with my life. So in hope of stopping the
rampaging pads, I created this device which I call the disruptor. I just hope
that this works!!

FORRESTER
Don’t worry dollface, we can do this.

OLDSMAN
So this device, will it shut them down?
BEAVER
Yes it should. However, theres a 10 sec delay after its activation.

Oldsman helps Beaver up and starts reloading his pistols and signals Forrester to do the same
OLDSMAN
Make every shot count.
FORRESTER
OK.
OLDSMAN
Time to kill some pads.

Forrester and Oldsman do a spectacular roll over the bushes, and immediately begin firing at the pads. The pads, leaving behind the scrapped remains of clothing, begin a launched assault at the police officers. A few of them fall from being shot, but not enough to make a big enough difference. Forrester groans.

FORRESTER
OH FUCK!! WERE ALMOST OUTTA BULLETS!!

OLDSMAN
JUST A LITTLE LONGER!!

At that moment, both of Oldsman’s and Forrester’s guns stopped ejecting bullets. The soft clicks of nothing hammered away at them. They were out of bullets, and the charge of the monsters continued quick and with no resistance. Oldsman and Forrester throw their guns at the nearest pads.
Beaver gets her radio working, and starts emitting a weird high-frequency sound. As pads are inches away, they start dropping, and becoming still on the ground.
OLDSMAN
Sector clear. We did it!
Beaver comes out from the bushes. Forrester, again, looks her up and down

BEAVER
It worked!

FORRESTER
Nice one Beaver, you know. do you wanna celebrate? I know
a really cool place.

BEAVER
If you insist
As the two walk away, Forrester wraps his arm around her waist. Oldsman just stands still, and shakes his head

OLDSMAN
Forrester!! what am I gonna do with you?

Oldsman does a final look of the area, and begins walking away. He grabs his radio and walks through the doors
OLDSMAN
And so the town is safe but for how long?

Behind him, he is completely oblivious that one of the pads begins flapping a wing…again…and again…then growls…and flies INTO THE CAMERA
Displayed Title: The End?

End

UNKNOWN

During this assignment, Our subject was considered to be taboo, and somewhat offensive. Upset that our production might be cancelled, I came up with a watered down script for this assignment and titled it UNKNOWN. Fortunatly, Pads was good to launch thanks to outside support and I’m glad we didnt use this script.  

Draft #4

                       ACT1INT. BEAVER’S OFFICE LAB 23:15Camera pans from right behind the table revealing Dr Parker, a science prodigy who is researching in her lab.She also happens to be breaking up with her sleazy boyfriend Quinn Forrester. Who is a Maverick/idiot cop. Tears in her eyes. PARKER (Barely audible)Quinn you’re a hopeless scumbag. I even wondered why I proposed to you. You NEVER CARED ABOUT MY FEELINGS OR MY WORK. HOW CAN YOU DENY ANYTHING WHEN I CAUGHT YOU WITH ANOTHER WOMAN?

PARKER(HANGS UP PHONE)SCREAMS LOUD!!!!

WOMAN (UNSEEN)Who was that?
FORRESTERYou heard nothing baby. Go wait in the spa.

ACT2INT. DONUT SHOP 10:20Vince Oldsman, A hard working cop who is unfortunate to be partnered up with a person that has a personality in opposite to his own. He is waiting for Forrester who happens to be late for work                        FORRESTERWASS UP OLDIE ?!(casual)

FORRESTERSo anyway last night, at my house. I was with these three chicks in a spa and I think I misplaced my handcuffs

FORRESTERLets just say, I frisked them!!

 FORRESTERC’MON. You just need to relax a little. Now I feel like a donut!! (about to eat a donut)

OLDSMANWhat the hell?

Oldsman rushes to the man to interrogate him

SURVIVOR(STUTTERING)I was minding my own business at the library reading about science. when I was attacked by by by…..

SURVIVOREEEEE.RRRRRR

OLDSMANNOT NOW FORRESTER!!

OLDSMANWHAT THE HELL?!! AAAAGGGGG RUNOldsman, Forrester and Survivor head to hide in a bush

The monster in pursuit growls past the bush and searches for the escapees. Forrester attempts to ambush the unknown creature but Oldsman pulls him back.

FORRESTERAWWWW..I COULD OF TAKEN HIM

                    
                    ACT3
FORRESTER

PARKERLook jackass, I’m sorry for what has happened and so I wanna fix things. OK?!! I call this radio device the disruptor. It will send out a frequency to kill the monster I created .

BEAVER (Getting pissed off)

FORRESTER(Getting pissed off)

OLDSMAN(Getting pissed off)WILL YOU TWO SHUT UP!! WE HAVE A SNAFU AND IF WE DON’T WORK TOGETHER, THIS WHOLE TOWN IS TOAST SO…(STOPS)

OLDSMANYou here that?(Puts finger on lips)

OLDSMANSLook, I’ll see to this…….SURVIVORIt’s……….them (stuttering)

The unknown beast are relentlessly attacking the people. Camera cuts to a dead person . Another runs for his life and then he falls over and dies. Quinn, Grace and Vince turn up to the scene and are stunned in shock

OLDSMANTHERES NO TIME TO WIMMER, JUST DO YOUR JOB AND KILL THE BASTARD!!
Vince and Quinn shot to kill and the unknown drops dead
FORRESTERYES, TAKE THAT YOU LITTLE BASTARDForrester and Oldsman fire at the unknown but the bullets have litte effectFORRESTEROHHHH SHIT!!! AND WERE OUTTA BULLETSGRACE. GET THAT DO-HICKEY OF YOUR OUT NOW!!

The unknown executes another deadly assault. Both of Oldsman’s and Forrester’s guns stopped ejecting bullets. The soft clicks of nothing hammered away at them. They were out of bullets, and the charge of the monster continues quick and with no resistance. Oldsman and Forrester use their guns as batons against it. Gingers radio starts emitting a weird high-frequency sound. As the unknown is inches away, it drops still on the ground. OLDSMANSector clear. We did it

Grace is really mad and punches Quinn in the face. Fist charges at camera

(DISGRUNTLED)HMMMMPPPGrace then walks off

FORRESTER (COVERING EYE AFTER BEING HIT)

PARKER (VO)Those idiots don’t suspect a thing. Next time. You’re all dead hahahhahah

Forrester attempts to give chase to Grace but Oldsman stops him and drags hims away.
OLDSMAN(fed up)FORRESTER.LETS GO!!

VINCE WHAT ARE YOU DOING?

And so the town is safe but for how long?

Pads

 

This was the main draft we used for our final production

Draft #3

WARNING
Content may be offensive to some readers.
(Violence, Coarse language, Crude themes)

By Sherwin Browne and Trevor Mizzi

                       ACT1
INT. BEAVER’S OFFICE LAB 23:15
Camera pans from right behind the table revealing Dr Ginger, a science prodigy who is researching a way to cure herself from PMS.She also happens to be breaking up with her sleazy boyfriend Quinn Forrester. Who is a Maverick/idiot cop. Tears in her eyes.
BEAVER
(Barely audible)
Quinn you’re a fuckin hopeless scumbag. I even wondered why I proposed to you. You NEVER CARED ABOUT MY FEELINGS OR MY WORK. HOW CAN YOU DENY ANYTHING WHEN I CAUGHT YOU WITH THAT PROSTITUTE?

FORRESTER
(Hosting a house party)
WORK? I’M FUCKIN SURPRISED THAT YOU EVEN ABLE TO BEGIN A SCIENCE CAREER WITH YOU OBSESSION WITH YOUR PMS STUDIES. WHAT ARE YOU, A GYNECOLOGIST?

BEAVER
(HANGS UP PHONE)
SCREAMS LOUD!!!!

Camera cut back to Forrester’s house party

WOMAN (UNSEEN)
Who was that?

FORRESTER
You heard nothing baby. Go wait in the spa.

Beaver then returns to her research and wipes away her tears. Time then passes and it is 01:15. Camera pans over Beaver’s hand tapping on the table with a pencil. Suddenly, she notices bizarre growling in a tray on her desk. Camera cuts to her face and then she smiles sadistically. Beaver then exits the lab leaving the door and window open. Camera cuts to tray (side shot) and all of a sudden, shadows of unknown creatures, elevate from the tray. Its now 03:00.
End of ACT1

ACT2
INT. DONUT SHOP 10:20
Vince Oldsman, A hard working cop who is unfortunate to be partnered up with a person that has a personality in opposite to his own. He is waiting for Forrester who happens to be late for work   
                     FORRESTER
WASS UP OLDIE ?!
(casual)

OLDSMAN
You’re late. And these donuts are going stale!!
(Not impressed)

FORRESTER
So anyway last night, at my house. I was with these three naked chicks in a spa and I think I misplaced my handcuffs

OLDSMAN
You think you misplaced your handcuffs?

FORRESTER
Lets just say, I frisked them!!

OLDSMAN
Quinn, I just don’t know how I can put up with you. No Respect, No value. SHIT!! I could have become commissioner if I didn’t have to watch your stupid ass.

 FORRESTER
C’MON. You just need to relax a little. Now I feel like a donut!! (about to eat a donut)

A bloodied man walks into the donut shop. Catching the attention of the Vince and Quinn

OLDSMAN
What the hell?

FORRESTER
Shit!!

Oldsman rushes to the man to interrogate him

OLDSMAN
Are you ok I’m a cop what’s wrong?

SURVIVOR
(STUTTERING)
I was minding my own business at the library reading about mad cow disease when I was attacked by PPPP…AAAA

OLDSMAN
SLOWLY GODDAMMIT!!

SURVIVOR
PPPP…AAAAA…PPA

FORRESTER
LOOK. SEAGULLS!!

OLDSMAN
NOT NOW FORRESTER!!

Forrester grabs Oldsman’s head and turns it 90.C. Cut to close up of Vince’s face and pan left to right from their eyes. Vince then turns to Quinn

OLDSMAN
THERE NOT SEAGULLS YOU FUCKING IDIOT. THERE………AGHHHHHH RUN!!

Oldsman, Forrester and Survivor head to hide in a bush

FORRESTER
QUICKLY INTO THE BUSH NOW!!

A shadow of the monster flies past the bush and searches for the escapees. Forrester attempts to ambush the unknown creature but Oldsman pulls him back.

OLDSMAN
(Annoyed)
IDIOT FORRESTER!!

FORRESTER
AWWWW..I COULD OF TAKEN HIM

OLDSMAN
We need to find out what caused these creatures to spring to life and devise a plan to terminate them.

Ginger Beaver appears from behind them. She is working on a strange device and Forrester relises the identity of the unknown creatures and immediately proceeds to confront Beaver
END OF ACT 2

                    

                    ACT3

FORRESTER

I should have fuckin known it was you

BEAVER
Look jackass, I’m sorry for what has happened and so I wanna fix things. OK?!! I call this radio device the disruptor. It will send out a frequency to kill those little shits.

 FORRESTER
Shit Ginger!! Your friends laughed at you, your parents disowned you and yes, you love science but the director’s board still thinks your nuts!!

BEAVER
(Getting pissed off)

I WAS FUCKING WORKING LATE NIGHT TO CURE MYSELF OF PMS AND AS USUAL, IT’S ALL YOU’RE FUCKING FAULT.

FORRESTER
(Getting pissed off)

DON’T GIVE ME THAT SHIT.EVEN WHEN YOU WASTE MY GROSSERY MONEY ON PERSONAL PRODUCTS, YOU STILL BLAME ME THAT I DIDN’T GIVE YOU ENOUGH.

OLDSMAN
(Getting pissed off)
WILL YOU TWO SHUT UP!! WE HAVE A SNAFU AND IF WE DON’T WORK TOGETHER, THIS WHOLE TOWN IS FUCKED SO…(STOPS)

Oldsmans is startled by a growling in the bush

OLDSMAN
You here that?
(Puts finger on lips)

Everyone goes silent

OLDSMANS
Look, I’ll see to this…….
SURVIVOR
It’s……….them (stuttering)

Oldsman then heads towards the bushes and then the unknown monster attacks. Reveling that it is a pad. Oldsman then Screams in Shock and shots the pad
OLDSMAN
AAAAAGGGGGGGG(FOR FIRST ENCOUTER)
QUICKLY SCRAMBLE..HURRY

The killer pads are relentlessly attacking the people. Camera cuts to a dead person getting eaten. Another runs for his life and then he falls over and dies. Quinn, Ginger and Vince turn up to the scene and are stunned in shock

FORRESTER
OMG!!
Another victim runs around with a pad on his shoulder and out of quick reaction, Quinn shoots him. The person then falls down dead.
OLDSMAN

FORRESTER!!!!

FORRESTER
(Smiles in tries not to laugh)
WHOOPS!!

OLDSMAN
THERE NO TIME TO ARGUE, JUST DO YOUR JOB AND KILL THOSE PADS!!

Vince and Quinn shot to kill and the pads drop dead

FORRESTER
YES, TAKE THAT YOU LITTLE BASTARDS

Then out of nowhere, double the amount of pads appear

FORRESTER
OHHHH FUCK!!! WERE OUTTA BULLETS
GINGER. GET THAT DO-HICKEY OF YOURS OUT NOW!!

BEAVER
OK guys. However, there’s a 10 sec delay after its activation.

The pads execute another deadly assault. Both of Oldsman’s and Forrester’s guns stopped ejecting bullets. The soft clicks of nothing hammered away at them. They were out of bullets, and the charge of the monsters continued quick and with no resistance. Oldsman and Forrester use their guns as batons against the nearest pads.
Gingers radio starts emitting a weird high-frequency sound. As pads are inches away, they start dropping, and becoming still on the ground.
OLDSMAN
Sector clear. We did it

FORRESTER
You know Ging, I’ve been think about us today and I think we should be like the good old days. What I would give to see your ass in a thong again.  

Ginger is really mad and punches Quinn in the face. Fist charges at camera

BEAVER

(DISGRUNTLED)

HMMMP!! COME ALONG DRACULA

Dracula, a pad that she wanted to keep as a pet has a dog’s collar and flies into her arms. Beaver then walks off stroking it.

FORRESTER
(COVERING EYE AFTER BEING HIT)
Dracula…What the fuck? (slurry voice)

Dracula hisses at Forrester over Gingers arm

BEAVER (VO)
Those idiots don’t suspect a thing. Next time. You’re all dead hahahhahah

Front shot over Beaver stroking Dracula and with an evil smile on her face

Forrester is in great shock and relises what Dracula is
FORRESTER
HEY WAIT A MINUTE……. (STOPS)

Forrester attempts to give chase to Beaver but Oldsman stops him and drags him away.

OLDSMAN
(fed up)
FORRESTER.LETS GO!!

FORRESTER

VINCE WHAT ARE YOU DOING?

Forrester tries to tell Oldsman about Dracula but fails miserably.

OLDSMAN (VO)
And so the town is safe but for how long?

Behind him, he is completely oblivious that one of the pads begins flapping a wing…again…and again…then growls…and flies INTO THE CAMERA
Displayed Title: The End?

End

What has wings and sucks blood?  This joke alone set up the antagonist for the first three episodes of a series that’ll gradually be presented over time.

 

Under the project title of ‘Quinn ‘n’ Vince’s Misadventures’, we’re mixing the old style horror and sci-fi genre movies with modern day interpretations. The pilot trilogy sums up what we wanted by having

 

 

 

 

the normal everyday object attack people due to a scientific experiment gone wrong. In this case, woman’s pads that begin to fly and bite people.

 

The show’s protagonists are cops, but with a slight twist. One of them is the quiet, disciplined, loyal and know-it-all Vince Oldsman, and the other is the inexperienced, fun, gun-ho, disrespectful and all about laughs Quinn Forrester. Having the conflict in behaviour in different situations will, itself, cause problems for the cops in later episodes. While one, for example, would take a sneak and stealth approach to a situation, the other would try a more direct and fire-at-will style.

 

The genre is comedy/horror/sci-fi/drama/action. Clichés are a major factor in this film. We’re going to attempt to throw in as many clichés as we can think of that are always recurring in Hollywood movies. This includes the cops that always eats donuts, the woman that screams instead of running away, the cop that gets the girl in the end (or, in this case, looses the girl), the idea of scientists going stupid and the mindless abomination getting smarter, the saved-in-a-nick-of-time, and of course, the hint that the bad guy or guys are still out there. The Wilhelm Scream will be used at least once per episode.

 

The target audience is from 15years and onwards due to the violence, language and themes, but due to it being on the net, will mean that it is accessible by anyone, so no point having a target audience.

 

The pilot trilogy sets up how the series will work. The first episode of a trilogy will always be how the antagonist is set up or brought to life. The second episode will be the first confrontation between the cops and the antagonist The third, naturally, the resolution, but not always in favour of the good guys.

 

In ‘Pads’, the first episode has the scientist, Dr. Ginger Beaver, working on a cure for woman’s menstruation, when she inadvertently creates a chemical that, when mixed with blood and the fibres of a pad, brings the pad to life as a violent flying creature. The second episode has the cops introduced for the first time, and dispatched to fight the menstrual monsters that are attacking the civilians at a local library. The third episode has Beaver creating a device that renders the pads dead, all except for one that she keeps as a pet for herself.

 

The back history of the protagonists will be explored in detail as the series progresses, due to the short amount of screen time available. By leaking out their personalities and backgrounds over time, they become more complex and interesting to the viewers.

 

 

 

FILM REPORT
By Sherwin Browne
Hi, I’m Sherwin Browne and I’m writing up a report on the film project that myself and Trevor and working on which we had titled: PADS.
SYNOPSIS
Enter the life on a talented, female science prodigy Dr Ginger Beaver. Who is out on a quest to find a cure for PMS. However, her research becomes a catalyst for disastrous results involving menstrual pads springing to life and killing people and so a ferocious army of winged pads are terrorizing the citizens of a fictionist town titled PMS County. And the only people who can stop these rampaging menstrual monsters are two idiot cops whose personalities clash.

SUMMARY
A researcher’s bizarre experiment gets out of hand and many people are killed.

CONCEPT
It started off with a simple joke. What has wings and sucks blood? Pads.
By telling that to Trevor, he then suggested, let’s use that for our project. And that’s how pads was born.
PRODUCTION
So far, things are going farley well, we have even filmed a demonstration of the killer pads, using fish wire and tape, and we have adapted the classical puppetry theme in the use of the controlling of the little bastards. During the accident testing, people have turned their attentions to us playing with pads. LOL. We have even done some official filming on the main project and it being good for a laugh. Our most murderous task to date, is finding a person to play Dr Beaver. Our first candidate was a friend of mine who was at first interested but when she read the full script, she was put off. She didn’t want people to refer to her as the “pad lady”. But we still her other female cast, who are interested so we are getting there.
CAST AND CREW
Were in the current stage of sorting out the cast and crew. We have been gathering other creative art students and general mates outside of Tafe. We are also on the final process of confirmation of everything.
EXTRAS
Finally, Trevor and myself have confirmed the production date for 29^th of August. And, we are even developing/ brainstorming the concept of a comic book version of our project. What else can I really say? I hope I’ve described the assignment well enough for you to comprehend what we a doing.

STRUCTURE

ACT 1. Opens with Ginger Beaver undertaking her lab research and out of frustration, throws her research in the bin. A bins full of used pads, The Pads spring to life and ACT 1 ends with Beaver screaming.

ACT 2.

We then enter the two main protagonists Vince Oldsman and Quinn Forrester. Two Idoit cops with conflicting personalities. They receive a distress call and they investigate the deployment zone were people are getting killed and eaten by Pads. The cops approach a survivor and flee the chaos and this act ends by the cops and survivor hiding in a bush. 

 ACT 3

We refer back to Dr Beaver who is making the devic to kill the little bastards and the cops find her in the bushes. They all then prepare for the final battle against the blood sucking buggers and eventually, the cops and Beaver win. Forrester, who is the "bad cop" hits on Beaver but sh then slaps him and walks off. Call out to Dracula, a Pad who she has decided to keep as a pet, Ginger walks away with Dracula in her arms and Dracula hisses and Forrester from a distance. Oldsman, the "good cop" stares off in the sunset with the "whole city is safe fad ". and finally, a dead pad is shown charging at the camera. THE END?